唯视影院
杀破狼豆瓣评分
2009

杀破狼豆瓣评分

26 年前

视频简介

本片曾参加了2010年戛纳电影节的“国际影评人周”单元,并获得不“青年致敬奖”。 Francis(泽维尔·多兰 Xavier Dolan 饰)和Marie(莫妮亚·乔柯里 Monia Chokri 饰)是一对默契十足的异性好朋友。在一次晚宴上,他们碰到了刚来到这座城市的乡村男孩 Nicolas(尼尔斯·施内德 Niels Schneider 饰)。随着和这个漂亮的男孩的进一步交往,这两个平日亲密无间的好朋友却发现周遭的种种莫名发生了改变,似乎有一种新的情绪影响着彼此。不久,Francis和Marie发现自己都不知不觉地爱上了这个不可捉摸的少年Nicolas,而两个人昔日坚不可摧的友情也第一次面临着挑战。爱情和友情,到底哪一个才是他们真正的归宿呢?。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。

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