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When on-call psychiatric registrar Dr James Ford finds himself caught between an anxious new mother’s postnatal check-up and the sectioning of a psychotic patient, no one could predict the tragic outcome. Norma Callahan and George Adjei of the MIU are called in to investigate Dr Ford’s actions. His personal life is messy and his colleagues may find him arrogant, but Dr Ford app...。Against the backdrop of New York and New Orleans, Elliott, Leanne and Jermaine question their ability to dream amidst a crumbling economic climate. Opening in the streets of downtown Manhattan, Elliott (23), living at home after college, is surrounded by incomplete projects, frustrated and in search of purpose. Simultaneously, in New Orleans, Leanne (26), an aspiring model/actr...。1981到1985年间，时逢独裁者尼古拉．希奥塞古统治时期，当时罗马尼亚为史达林体制最严重的国家，少年穆古・卡林内斯库夜半奔走街头，以白色粉笔涂鸦书写抗争讯息，受到祕密警察逮捕、审问，最终离奇死亡收场。 延续《追拿吉普赛》自多元历史文本取材的手法，导演哈都・裘德进一步将贾尼娜・卡布纳流的剧作改编成一齣破格的“文献剧”电影。他以搭景剧场中的人物独白，仪式性再现国家档案的官腔，以及国家机器的思想控制与去人性的样态；仪式之外，更穿插看似风马牛不相及的轻娱乐、新闻影像及政治宣传片，让观众在少年的事件内外往返，时而在场、时而抽离，体验时代同存歌舞昇平与高压窒迫的平行时空荒谬感，认知独裁政府淡化事件关注度的媒体操作手段。。