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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。影片简单回顾了威尔士王妃戴安娜的婚姻，采访了她当年的一些随从和亲友。。《犯罪症候群》是2017年东海电视台与WOWOW共同制作的日剧，改编自贯井德郎推理症候群系列三部曲，故事讲述出现要求jijikb.com小额赎金的绑架事件，因为金额少犯人都能将钱拿到手，警视厅人事二课环敬吾委托前干练刑警武藤隆进行秘密调查，武藤查到犯罪者是未成年人士的集团，而他本身有着妹妹被未成年人士杀害然后复仇的过去，虽然一直被妹妹的恋人前辈刑警镝木护支持振作，但一直未能放下心伤。。