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奥利维.麦卡东的《出口\Exit》描述了一个停尸房的青年收到心理控制而变成连续杀人犯，最后与另一个女杀人犯双双被人杀死。清末战火连绵民不聊生，大哥被同僚出卖，所带军队无一生还。因为装死而活下来的大哥遇见了离家出走的莲生，二人一夜取暖后，莲生不告而别。大哥在街道上被三弟发现并带回村，发现其竟是二虎的妻子。被贫穷饥饿所折磨的农民在憨厚的二虎与忠诚的三弟的带领下，劫抢官银，导致官府半夜报复。大哥乘机鼓动大家参加军队赚来军饷粮食，三人纳投名状结兄弟义，浩浩荡荡地带着一百零八人出发从军。这支兄弟军不要命的拼劲，拿下不少胜仗。只是爬得越高，大哥的野心越大，二虎与三弟再也无法管束，分歧渐生；而大哥与莲生的感情被三弟发现，三弟误以为莲生是兄弟反目的原因，想借杀大嫂来解救二虎。面对朝廷的欺诈、官府的黑暗、野心的膨胀，曾经纳过投名状的三兄弟最终自相残杀……。Life is terrible, but I decided it was beautiful—supposedly said by Bohumil Hrabal, but it seems it was actually Klaudia Fortuniak. In her film about a group of strangers brought together by an unexpected ride on a Łódź tram, the director focuses on the subtleties that most filmmakers overlook in their pursuit of dramatic 'meat.' Thanks to this, Ends and Beginnings turns out to...。