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2015年互联网经济腾飞，资本市场泥沙俱下，已届不惑的财经杂志主编谢琳慧发布了某投资机构合伙人婚变及违规商业操作的丑闻。这篇敢说实话的报道引发投行的震动与洗牌，直接导致投资经理江一笛身陷职场危机。然而谢琳慧深度追踪行业违规操作的行为令她遭到多方构陷，终因刊发一篇含有错误数据的报道而停职，而江一笛恰是提供者。市场风云变幻，顾不上人情冷暖，由江一笛负责的智能医疗企业更是因此陷入死局，将谢琳慧与江一笛卷入更大的风暴之中。本剧交织呈现了中年女性的职场危机和青年菜鸟的无助无奈，一切水落石出，理想主义者向光而行。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。Poland was the first victim of Hitler's infamous blitzkrieg. Combat cameramen filmed the aerial campaign, showing preparations for flight, massive air strikes, and the appalling devastation wreaked upon Polish towns and armies. 'Norbert Schultze (I)' 's original score lyrically enhances this Nazi propaganda vehicle.。